|
The palace buildings and extensive gardens overlooking the sea and the bay of Yalta reflect the influence of the original architect, Ippolito Antonovich Monighetti, who was sent from Moscow to Livadia after the estate was bought for Tsar Alexander II in 1860.
In 1861 the august family came to Livadia. The Crimea fascinated the Empress, Livadia in particular. They saw the sights of Yalta and the region, took a keen interest in the mode of life of the natives, attended a wedding ceremony in a Tartar (in Greek means "meadow" or "glade"). Tr. village and a divine service in a Greek Church, met and spoke to the ordinary people. In short, they were imbued with new unusual impressions. It was decided to replenish the estate and the task was assigned to the famous St. Petersburg architect Ippolite Monighetti.
During a period of four years (1862-1866) the architect, collaborating with the Gardener Clement Hekkel, created the magnificent palace-cum-garden ensemble, comprising various buildings serene and majestic in their radiant whiteness contrasting the greenery of the park. Time has not spared the Grand and Lesser Imperial Palaces, the Ladies-in-Waiting's House. The Suite House and the Conservatory were frequently renovated and altered, losing their original appearance. There are but a few buildings that have survived untouched - the Gardener's House, the Stables, several fountains and the Turkish Summer-House, a symbol of Livadia. And the Church of the Exaltation of the Cross (Ippolite Monighetti, architect) stands on an elevation, being in plan a typical Byzantine-style church, i. e., a Greek cross inscribed in a square.
Arriving in the Crimea in 1867, the Empress highly estimated the immense attraction of the palace, its sides bristling with pine-clover, an exceedingly picturesque and romantic park sloping down to the shore, the sea with its even murmur, cool breeze and endless horizon. Now Maria Alexandrovna longed to go south to stay in her "sweet Livadia" till late autumn and not only because of her doctors' orders. It is quite natural that when the Emperor lived in Livadia, the estate turned into a centre of political and cultural life of Russia. Ministers, diplomats and highly-honoured foreign guests came to meet the Emperor. Famous artists, writers, actors who were born to no titles, but achieved fame by their own energy and their own genius, were guests of the august family. In July, 1867, on a fine Crimean morning the beautiful side-wheel steamship Quaker City steamed down to the foot of the Yalta harbour and anchored.
"Among our excursionists", as Mark Twain (pen name of Samuel Langhorne Clemens) put it in his The Innocents Abroad, were ministers of the Gospel, doctors, military and naval officers with sound titles, "were an ample crop of 'Professors' of various kinds and a gentleman, who had 'Commissioner of the United States of America to Europe, Asia and Africa' after his name". The Americans were invited to the Livadia Estate to pay the Emperor of Russia a visit. A dinner was served on the centre-tables in the Reception Room and the verandas of the Grand Palace. The Russian nobility escorted them over the grounds and the illustrious host moved from place to place and helped to keep the conversation lively. To quote from Mark Twain's original, "We have been in no country yet where we have been so kindly received and where we have felt that to be Americans was a sufficient visa for our passports... If you know Russia you know that was a wild stretch of hospitality."
The sickly Empress died in the summer of 1880 and a few weeks afterwards Alexander II was united in the morganatic marriage with Princess Yekaterina Mikhailovna Dolgorukaya-Yuriyevskaya, with whom he had had intimate relations. The autumn months they spent in Livadia were filled with quiet joy and happiness.
However due to extremely damp and unsanitary conditions, the first Livadia was torn down after Nickolas II caught typhoid fever there and almost died as a result. In its place, Nickolas and Aleksandra constructed summer palace which occupied the exact site of the original: overlooking the Black Sea.
Fairy-Tale Palace
|
The "new" Palace was completed in 1911; not only was it quite a bit larger than the original, it was extremely expensive to build. It had the latest technological developments and for it's time, state of the art sanitation facilities. The Palace proved to be extraordinarily impressive due to its beautiful design. Consequently, it was furnished in a style of luxury beyond compare. Its interiors were clad with rare and expensive woods, delicate wall coverings, fabrics and plush carpets. And like the Alexander Palace, Livadia also had an enormous Imperial garage built near the Palace to house Nickolas' rapidly expanding collection of cars and limousines.
To be sure, Livadia has a history as rich as those who have walked its halls, danced in its ballrooms, slept in its beds, while in the distance waves crashed ever so gently against the mountain of rock which supported the elegant compound. Yet, most of all the white palace was the refuge for the Imperial Russian family during those cold dreary winters of Moscow and St. Petersburg. It was also a summer haven to which the family retreated long before Tsar Nickolas was crowned "Emperor of all the Russians".
During the reign of Nickolas II, it was no wonder that those who were invited to visit the Imperial family in such a setting, would recall a much more relaxed Emperor and Empress who preferred to live quietly there. For it was at Livadia, they were able to unwind from their royal duties, living rather informally. A walk through one of the many delicate gardens rich with flowers which the Tsaritsa herself treasured, was common practice for the children to partake with their father.
The Tsar of course being a lover of the outdoors, sought his time at Livadia to take advantage of the tennis, horseback riding, swimming, hiking, boating and picnics the peaceful area offered. In fact, he could often be found attempting to chase butterflies or such things with any one of the children, particularly Grand Duchess Marie, who had an affinity for small creatures.
Yet in 1894 life at Livadia was temporarily different from the rather carefree days of Tsar Nickolas' rule. For it was here at Livadia that then Emperor of Russia, Nickolas' father, Alexander III, became deathly ill. Sensing the worst, the young Tsarevich sent for his love, Alix of Hesse to join him as he stood at his father's bedside.
The Hessian Princess traveled by train to be with her fiancee, but due to the family's deep concern for their Tsar, proper attention was not given to her arrival and the young royal was due to fend for herself most of the trip without the usual formalities so given to a princess of her stature.
Nevertheless, there was extreme joy when she wired mid-way through her journey to her beloved that she requested the ceremony of her conversion to the orthodox religion occur at Livadia during her visit. Tsarevich Nickolas Alexandrovich could not have been more pleased. He wrote in his diary his delight, "My God what a joy to meet her in my country and to have her near. Half my fears and sadness have disappeared." However, when Alix finally did arrive she was greeted by a family facing imminent doom. Immediately, the dying Tsar received the young couple, Nickolas and Aleksandra, in full dress uniform and offered them his blessing for their marriage.
Ten days later on November 1st at the age of forty-nine, Alexander III was dead. "God, God, what a day," wrote Tsarevich Nickolas. "The Lord has called to him our adored, our dear, our tenderly loved Papa. My head turns, it is not possible to believe it. All day we rested upstairs near him. His respiration became difficult, suddenly it became extreme unction; soon light trembling began and the end followed quickly. Father John remained with him an hour at the bedside, holding his head. It was the death of a saint, Lord assist us in these difficult days. Poor dear Mama."
An altar was erected on the lawn of Livadia in the days to follow as a tribute to the Alexander III. Later the palace was draped in black and the Imperial summer retreat was invaded with priests and visiting monarchs who had come to pay their respects as the orthodox ceremonies of death continued. A week later the Emperor's coffin left Livadia draped in purple for the official ceremonies to follow in Moscow and St. Petersburg.
Because of the significant events which had occurred at Livadia binding the Imperial family more closely together, the palace would long remain a place they could come to for recovery and renewal of strength. In fact, Easter, the most significant holiday in Russian orthodoxy was always celebrated at Livadia with much fan fair and splendor. It became a festivity of joy where Nickolas and Aleksandra gave the entire staff the traditional three kiss blessing, welcome and joy. Young people would stand in line to receive tiny offerings from the Tsarina and the Grand Duchess‰. Easter eggs of exquisite sizes, painted with intricate detail and patience were passed out to courtiers. Then of course the more traditional Faberge eggs were gifted among family members as priceless favor of this special time. All incorporated around fantastic feasts and prayer.
Still, at Livadia extravagant parties were somewhat uncommon, although the sixteenth birthday of Grand Duchess Olga proved to be quite the contrary. The Emperor and Empress gave a full dress ball in honor of the day. Olga glowed as she received her first set of jewels (a diamond ring and necklace consisting of thirty-two diamonds and pearls) from her parents prior to the gala event. She wore them proudly on the dance floor where dressed in a pink ballgown, she twirled in the arms of her father on the floor of the grand state dining room. Afterwards, a sumptuous dinner was served, followed by more dancing in the garden moonlight. This was a glorious time for Grand Duchess Olga and one she would always remember fondly.
For the Imperial family Livadia proved to be a time for living. It was a place they hoped to go when under house arrest after the Tsar's abdication. Unfortunately, they were sent to Siberia, and never saw their white palace again.
After the October Revolution the Livadia palace led an unremarkable existence as a workers' sanatorium until the Yalta Conference of February 1945 placed it once again in the spotlight of international affairs, welcoming the "Big Three", Churchill, Rousevelt and Stalin, working out the brand-new world order.
| |